Very impressive page but the lowercase doesn't do it for me. Overall though, undeniable beauty.
@AnasaziWrites I can relate to feeling like the gap is increasing between golden age and our writing. The more I study and practice OP the more I feel 'meh' about my writing. This is a good thing though. The sharper the image is in our head of what we want to achieve the better it is for our progress. I do miss the days when the work:contentment ratio was much higher because my eyes weren't that critical but when I put away the exemplar and see quick glances when I pass my own attempts on the table my work pleases me. The trick is to not take a long hard look, haha. I've been told, "You scare me, James. You see all the tiny details." I have to be careful though. I have to remind myself that the critical eyeglasses do not need to be worn when looking at other people's work otherwise I feel like a huge d-bag on the inside.
Seeing the archives at IAMPETH made me a little sad actually coz I had actual specimen in front of me and my eyes were still saying "This was done by hand?!"
but there were some that made me go "I can do that." I don't mean today or the next year but I think it's possible. That sounds arrogant but if I didn't have that tiny voice in the back of my head I think I would've given up on this a while ago. (or maybe social media 'Likes' can sustain me for a bit)
@tiffany.c.a Could you share your thoughts on the difference between perfection and excellence? I think excellence is a greatness in quality which is measured against perfection. What then is the rubric for excellence?
@AndyT It's so funny, when I was still making handwriting fonts many years ago my goal was for people to do a double take and go, "wait, that's not handwritten?" (Then I discovered OpenType technology and I just about lost my mind with Contextual Alternates.) But when I took up calligraphy with all these copybook pdfs I suddenly wanted my writing to look "font-y." Weird.