Hello dear friends,
It's been a long time since I posted here, but I'm glad to be back with a question!
I'm currently working on a dissertation that will help me graduate and officially become a "graphotherapist".
In France and Belgium, it's the name given to occupational therapists that specialise in problems related to handwriting. We mostly help children and teenagers who have illegible / painful / slow handwriting.
My dissertation is about using the calligrapher's approach of studying and practising a writing style (from the beginning to developing personal variations) to support the rehabilitation process.
So my question to you is: how, as calligraphers, do you approach a new writing style? What are the different steps that you take? And do you think these steps can help learn new handwriting habits?
My own steps are :
- Finding an appropriate model
- Studying the proportions and making guidelines that will support my practice
- Studying and practising the fundamental strokes
- Practice drills to loosen up and acquire a good general movement and rhythm
- Studying the letterforms by groups: this includes the correct letterforms and their variations, but also finding out the limits of what can be done with them, often made mistakes.
- Joined letters (minums and words by groups of letters then mix it up)
- Hard to join groups of letters
- practice at different sizes (with handwriting the goal is to ultimately write with a 2-3mm x-height max)
- practice as much as possible, with various mediums (project ideas?)
For handwriting, speed is very important. From my experience, it comes from regular practice and drills. So I start slow and gradually become more comfortable and I can write a bit faster. Do any of you have any tips to introduce more speed ?
Has your experience with calligraphy helped you in any way with handwriting?
I guess that's more than just one question... But I'd love to know what you think!
@sybillevz congrats!!!
For me calligraphy is is a long process of another journey.
Whatever way you got into this It is a long way to go up into writing into many levels and depending on how you do it or what you do with that it brings you more please or frustrations one might say.
Some people try it in many ways but fails to achieve what they want to see in their writing. I am one of them. I tried to learn calligraphy during 1985 - 1990. I can remember I bought inks and several Calligraphy broad pen set ( in fountain pens) I was only interested in gothic /old eEnglish writing. I had a small Manuel in that style. So that Idea faded and died away and I got into photography and became a photographer. I always had a great liking into Typography and layout and stuffs. I love papers and photo printing too.
Recently I had fallen into Lettering and pen and ink. And again I had those calligraphy pen sets I bought several decades ago safely and on goo conditions. This made me to think about calligraphy once again. Then I go into pens and ink and vintage letters.
This opened up me to "War time old style writing " ( That is how someone talked about Old Spencerian cursive or American Cursive writing) I was onto the historic writing and this bug got me harder. There on I started to lean about those older tools and how and what they can do. Before I was a writer and my preferred way was printing. Now I am learning lettering and out of many ( hundred or several hundred forms of calligraphy my favourites ones is Copperplate and spencerian/ business penmanship ) I can see up to what level my writing is changed and transformed. I have a good progress in what I do to learn a different hand in lettering. So it is all depending on all the commitments. The more you focus and give the more you get in lettering.
Calligraphy is an art. As Manuel writing is a dead art which everyone do not do today. So if you can do it today into a higher level you might be able to make a living out of that tomorrow.

That is what I believe and I am doing it and so far so good.
Is it expensive?

Yes there's a price for everything and so that apply to this art as well. Time has a big value and it is the main cost.
" Quote". ---Finding an appropriate model
- Studying the proportions and making guidelines that will support my practice
- Studying and practising the fundamental strokes
- Practice drills to loosen up and acquire a good general movement and rhythm
- Studying the letterforms by groups: this includes the correct letterforms and their variations, but also finding out the limits of what can be done with them, often made mistakes.
- Joined letters (minums and words by groups of letters then mix it up)
- Hard to join groups of letters
- practice at different sizes (with handwriting the goal is to ultimately write with a 2-3mm x-height max)
- practice as much as possible, with various mediums (project ideas?)"
As above exactly as you added ... I am doing this as a ritual and this my second religion next to photography.
* Only thing that is missing is SELF CRITICISM . Lack of this will lead your enthusism of getting to a high level of the learning curve that is what I am working now.
This method is the modelling/ imitating of something already available to get into a style you may call a style. I am seeing several possibilities to of my lettering transmuting into a pleasant form.
Thank you for this lovey conversation and the thread you have started here.