Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Topics - JERRY TRESSER

Pages: [1]
1
Calligraphy Guilds / Calligraphy guilds disappearing
« on: August 09, 2017, 01:54:04 PM »
At one time in sunny Fla, we had 8 guilds. Now we have 3 and one of them is almost on the brink of being lost.  I was wondering if there are any statistics of guilds that are gone. How much of an influence did individualized learning from videos contribute to this sad  situation, not to mention a continuous flow of one day "become a calligrapher " workshops . Comments would be appreciated. Some groups seem to be doing fine, but some are just currently being managed .  I fear for the community as its always been volunteer work and a love for the art that kept these guilds afloat.  Things are a changing !   JERRY

2
In developing Johnstons Foundational Hand, rules were set up for studying manuscript hands. For example there were well over 400 varieties of Uncial. This is a bookhand (one of 3) which spanned over 800 years.  some type of order in understanding  were developed .  How do we learn as to what is a norm when we want to learn a historical hand and have some accuracy. Not only on the hand, but the scribe, the ink , the tool, etc. 

 Johnston provided 7 necessary requirements for deciphering a manuscript hand that can be applied to all broad edged hands. We and i am going back well over 40 years were provided photos of early uncial and we were able to draw out information , looked to see if these bits of detective work provided a foot print for other Uncial letter forms. That is how we developed principles relating to hands of historical stature.   Once we were able to use the necessary principles to extract the vital information, it was applied well into the 14th century hands.

There was no such a thing as learning 10 different hands.  The process was a development that would lead us more by century as to how theletters came into changes from a circular O to a more horizontal O based on black letter forms or even Caroline a full minuscule alphabet.    I am enclosing an attachment that came from Johnstons book on understating the Foundational Hand showing the necessary steps that one needs to be made aware of when studying some of these historical scripts.   

There is allot more to tell, but i do hope some of this information may be helpful in the underpinning , which is critical for good letterforms... Jerry

3
Everyday Handwriting | Penmanship / PRESSURIZED ROMANS WITH A PENCIL
« on: August 31, 2016, 02:45:09 PM »
I was wondering if there are any Roman oriented scribes out there who use a pencil with pressure to make serifs, etc. JERRY

4
Tools & Supplies / Bound & Lettered Publication on Gum ammoniac
« on: August 26, 2016, 09:40:27 PM »
I recently gave John Neal an article on Gum ammoniac which is a sizing for flat gilding that had been used for several hundreds of years in the middle east and transported into Europe by traveling merchantsmost notably during the middle ages. . Included are several pieces of calligraphy completely gilded. Done 25 to 40 years ago. The publication is in the process of being printed and should be available in the coming weeks. You can take a peek at: www.jtresser.com/b-d.html.    Any questions please feel free to contact me. JERRY

5
Tools & Supplies / Gilding & Illumination supplies
« on: November 27, 2015, 03:45:57 PM »
If i can be of any help to this group. JERRY www.jtresser.com

6
Introductions / Jerry Tresser
« on: November 27, 2015, 11:43:03 AM »
Involved in the scribal arts for 40 years. Author of the Technique of Raised Gilding. Trusting everyone had a safe holiday. JERRY

Pages: [1]