growing segment of newcomers who bridged the gap by starting with modern calligraphy and then decided they wanted to go deeper and learn traditional styles.
So does it matter? Some would say no as we always need to adapt and change with the times, and like it or not, this is how it works in our world today. I would argue it matters a great deal. It isn't about the differences between us, it's about the quality of work we produce and share with others. It's how what we do effects not just us, but an entire industry. As a calligrapher, I have always felt a great responsibility to do my best to help preserve the integrity of both the craft and the trade.
However, I hope people will take an honest look at their work, solicit constructive and forthright feedback from other professionals, and ask themselves if they can offer a quality service and product which upholds the value of not just the market, but the trade as well.
What a profound blog post
@Erica McPhee and a joy to read.
My first online six month class was modern. Within two weeks I realized what I wanted was not so I switched to pointed pen (though the course was still modern she instructed with brush and pointed pen) and I pushed through the end knowing I needed to find what I found out was called "copperplate".
I was relieved that my interests were purely self-edification vs. business. It has taken pressure off of me for I know the time it would take me to rise to such a standard I shall probably not live that long being almost 62 now.
So glad FF is a real, thriving entity. Thanks for all that you are doing, Ms. M.