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Messages - evad

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Again, I'd like to thank everyone for your advice, which inspired me to carry on without fretting about arm movements etc.

I'm posting my monoline Spencerian after almost 3 months of semi-regular practice. Of course, with self-isolation the frequency and length of practice has increased.

These days I'm using a Lamy Safari, EF nib, J. Herbin Vert reseda ink. When I compare this sample to my January writing, I can see a lot of improvement, but also many mistakes  :D I find that the more you practice the more observant you become.

The only downside: I started practicing this hand with the goal of making it my handwriting, now I'm less convinced it's viable. It's really easy to stray away from slant without slant lines.

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Kind Critique / Re: Spencerian with fountain pen - looking for feedback
« on: January 08, 2020, 02:25:08 PM »
@jeanwilson and @Estefa , thank you for your kind and thoughtful replies. It's a relief to have encouragement to find the writing position that works for me, as practically all other advice has been touting arm movements. I remember that I was able to do arm movements naturally when I was doing big flourishes in Copperplate. But for small letters these movements just don't come naturally.

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Kind Critique / Spencerian with fountain pen - looking for feedback
« on: January 06, 2020, 04:05:10 PM »
Hi all,

I recently started practicing Spencerian with the goal to improve my handwriting. My background is in Copperplate.

I'd like to ask you for feedback - what can I improve? And how?

As the goal is everyday handwriting, I'm using a Pelikan Souveran fountain pen with EF nib and not shading, so I'm not looking for feedback on that or majuscules (haven't practiced them yet).

X height is 3 mm.

Do you think learning whole arm movements would make a big difference in my situation? As a "finger writer" I tried following posture directions in the original Spencerian book (knuckles gliding on the paper) and completely lost control of the pen. I don't see how this could ever work, despite watching tons of videos.

I'm confused by conflicting directions I've read online. Some people say that you're supposed to write lowercase/smaller letters with fingers and use whole arm movement for uppercase and flourishes. Is this accurate?

Big thanks to our member who created these guidelines with double slant.

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Show & Tell / Re: Show your holiday greeting...
« on: September 02, 2019, 03:42:40 PM »
KristinT, these designs are delightful and warm <3

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Flourishing / Re: Frustrated with beginner flourishing - looking for help
« on: November 16, 2018, 01:59:56 PM »
@Steph C

I had a look at this class and browsed its Instagram hashtag. I found so many examples that I was able to piece something together and design my first flourishes for a friend's name and surname. Once I'd copied a few flourishes from IG posts and spent more time on the piece, I figured out where to add some flourishes of my own. I feel like my design skill has improved a million times just by looking at the hashtag. Imagine what taking the actual class would do! :) Unfortunately the next one doesn't start until spring. Thank you so much for sharing this resource. Like you said, I also need to practice tons to improve my forms, but I know I can get this down - I struggled with the design/layout part of flourishing the most.

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Flourishing / Re: Frustrated with beginner flourishing - looking for help
« on: October 11, 2018, 06:23:23 AM »
Jean, I loved your encouraging reply, thank you so much. I have more enthusiasm and optimism now and have started practising again.

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Flourishing / Re: Frustrated with beginner flourishing - looking for help
« on: October 08, 2018, 03:47:32 PM »
Hi Erica! Thank you for your insight, much appreciated. I'll check out the tutorial you posted, and looking forward to your book! :)

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Flourishing / Frustrated with beginner flourishing - looking for help
« on: October 08, 2018, 01:20:37 PM »
Hi all,

I taught myself Copperplate a few years ago. When I had enough practice under my belt, flourishing was the next step - flourishes add a whimsical and elegant touch to letter compositions that I love. Just the letters weren't doing it for me any more.

I looked at a ton of flourishes online and in books. Bill Hildebrandt's book is touted as the #1 resource to learn, but I find most of his flourishes incompatible with Copperplate, so the book wasn't as helpful as I'd hoped. But whenever I tried to sketch my own flourishes, I failed. It felt like I totally lack the imagination to see potential connections between letters that could be developed into flourishes. That calligraphy is my first experience with graphic design doesn't help either. I feel like I'm missing some crucial visual skill.

Has anyone had the same experience? How did you overcome it?

I was so frustrated seeing no way forward that I quit calligraphy for 2 years. I've started again and would like to improve, so I'd appreciate any help.

I have considered taking online classes (in person not available where I live), but the problem is not repeating the flourishes and doing drills, it's imagining and creating flourishes from scratch.

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Tools & Supplies / Re: How often do you use your 'other' nibs?
« on: January 30, 2016, 04:42:08 AM »
I don't use my other nibs, I use Brause EF66 all the time. When I started I bought a variety of the most popular nibs, most of which I couldn't even write with (I tried them again several times as I improved, to the same result).

I've had a good experience with the Nikko and Zebra nibs, especially for square tops and bottoms, but I can achieve my favorite look with Brause EF66.

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Most Copperplate guidelines have the 2:1:2 ratio. It was only on this forum that I have seen 1,5:1:1,5 guidelines made by Erica. Thankfully, these were the first I found, as I find this ratio the most elegant!

When I try flourishing, though, I will try 2:1:2 guidelines as they allow for more room for flourishes.

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Ken, this is a really helpful tip, I tried it yesterday and writing was much easier. Thank you!

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Hi all,

this has puzzled me since I started learning Copperplate and I hope someone can advise. I'm right-handed.

I keep reading everywhere that the nib should be aligned with slant lines (in order to produce smooth, even lines), as seen in this image from Nina Tran's blog: http://i0.wp.com/anintran.com/wp-content/uploads/2015/08/image8.jpg

However, I can only get my nib in this position if I move the paper to the left (for close to 90 degrees), and then it's impossible to write because of the angle:







I know that the rule of thumb is to do what works for you, but I wonder what everyone is doing to have their nibs parallel to slant lines and be able to write normally!

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Tools & Supplies / Re: New Finetec palette
« on: November 25, 2015, 10:43:34 AM »
I might have to buy it for that blue color alone <3

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Show & Tell / Re: My very first hand-made pen holder!
« on: November 11, 2015, 05:59:11 AM »
It's fantastic that you learned this! Congratulations!

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Open Flourish | General Discussion / Re: Penman Direct - UK-based supplier
« on: November 01, 2015, 01:41:17 PM »
Thanks for this! I am yearning for a European alternative to the American suppliers. A few days ago I tried to order from one of them and was hit with $50 shipping.  :o >:(

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